Serica Champagne Glass

Serica Champagne Glass

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A Champagne glass from the perfectly formed Serica range, inspired by antique glassware. Crafted in England, all Robert Welch glassware is hand blown from full lead crystal glass.

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Design Notes

Designed in the 1960s by Robert Welch, the Serica range of glassware was inspired by eighteenth century tavern glasses which he had drawn at a museum. Originally offered in both cut and uncut crystal. The Airtwist glass range is a beautiful example of English full lead crystal.

All Robert Welch glassware is hand blown. Crafting the Airtwist glassware involves the highest degree of skill on the part of the glassblower. Therefore each individual glass is unique and the finished pieces may differ slightly from one another.

The full Serica range includes a wine glass, champagne flute and a goblet.

Technical Information

The Glassware is hand blown in full lead crystal. Due to the traditional production methods used, minor imperfections may exist.


Height: 68mm

Width: 68mm

Length: 287mm

Care & Need to Know

We recommend hand washing your glassware.

Delivery & Returns

UK standard delivery is free for orders of £50 and over, and £3.50 for orders under £50. Delivery is normally made within 2-4 working days. Subject to stock availability. Please see our Delivery page for more information, other options or for delivery times to other territories.

We pride ourselves on our consistent delivery promise and often exceed customer expectations, however, please be aware that we may need to change our delivery timescales when we are unfortunate enough to experience operational challenges.

If you would like to contact us about your delivery, the Customer Care Team are available on 01386 840 522, Monday - Friday, 9am - 5pm GMT (excluding Bank Holidays), via email at or through live chat on the website, 7 days a week.

For further information, please see our Delivery page.

Design Story: Serica

Design Story: Serica

"Full lead crystal glass is a heavy material which naturally forms itself into soft, rounded shapes in working. Before design work began several museums were visited, and studies were made of late eighteenth century English tavern glasses. These, with their robust appearance, suggested the development of a new design. Considerable time was spent in the glass house watching the glass blowers at work, and finally a set of models was made in solid acrylic. These were used as the patterns by the glass blowers". Robert Welch, Designed in a Cotswold Workshop, 1974